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Theoretical Fundamentals
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THEORETICAL FUNDAMENTALS
UNIVERSAL
MUSIC THEORY 2
Conveying Truth in Music
I. The Object of Gaining Knowledge in Music
II. The Logic of the Musical Fields of Cognition
III. Immortal and Mortal Tradition of Music
IV. The Living Example of the Musical Cognition
of Truth
V. The Three Great Steps of the Musical Process of Gaining Knowledge
VI. The System of Intellectual Discussion
in Music
VII. Errors in Gaining
Knowledge in Music
VIII. Equivocation
IX. The Secret of Music
X. The Ultimate Goal of Gaining Knowledge in Music
XI. Indirect and Direct Gaining Knowledge
in Music
XII. The Path of Knowledge
and the Goal of Truth
.
 Peter Huebner
 Founder of the
 Educational Music Laboratories
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PART   VII
  
 
THE PRACTICAL FUNDAMENTALS OF UNIVERSAL COGNITION
  
         
   

ERRORS IN
GAINING KNOWLEDGE IN MUSIC

  1. The Fallacy in Gaining Knowledge in Music
  2. No Deduction in the Absolute Musical Force-Field of the Harmony
  3. The Contradictory in Gaining Knowledge in Music
  4. The Answer Being Equivalent to the Question in Music
  5. The Level of Perfect Creativity of the Absolute Tone-Substanc
  6. The Unproved in Gaining Knowledge in Music
  7. The Secret Rulers of the Tonal Stars of Music
  8. The Secret Ruler of All Music
  9. Knowing the Unreality of the Outer Musical Happening
  10. The Belated


    
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  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  EDUCATIONAL MUSIC LABORATORIES








“Education must become verifiable by objective science.
It becomes this by the help of
modern, scientific-orientated medicine.”
Peter Huebner

 
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