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THEORETICAL FUNDAMENTALS
UNIVERSAL
MUSIC THEORY 1
I. The Process of
Creating Music
II. The Classical Teaching Scope of Music
III. The Inner Mechanics
of Creating Music
IV. Didactics of Music
V. The Force-Fields in Music
VI. The Purpose of
Music Tradition
VII. Space and Time in Music
VIII. The Physics of Music
IX. The Systems of Order
in Music
X. Scientific Fundamentals of Music Aesthetics
XI. The Science of Music
XII. Music & Speech
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 Peter Huebner
 Founder of the
 Educational Music Laboratories
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Educational Music Laboratories
THE EDUCATIONAL BRANCH OF THE MICRO MUSIC LABORATORIES
Theoretical Fundamentals
.
 
PART   XII
  
 
THE PRACTICAL FUNDAMENTALS OF UNIVERSAL CREATIVITY
  
         
   

MUSIC AND SPEECH

  1. Speech
  2. The Superiority of Music over the Language of Today
  3. Fundamental Research
  4. The Organ of Speech
  5. The Smithy of Thought
  6. Sovereignty over Bound and Free Creativity
  7. The Dimension of Creative Unfoldment
  8. Control over the World of Thinking
  9. Content and Form, Meaning and Structure
  10. The Share of the Senses of Perception in the Process of Gaining Knowledge
  11. The Language of Music
  12. How Our Ancestors Used Language
  13. Conclusions from the Ancient Records
  14. The Legacy of Our Ancestors
  15. The Task Set by Our Ancestors

    
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  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  EDUCATIONAL MUSIC LABORATORIES








“Education must become verifiable by objective science.
It becomes this by the help of
modern, scientific-orientated medicine.”
Peter Huebner