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THEORETICAL FUNDAMENTALS
UNIVERSAL
MUSIC THEORY 1
I. The Process of
Creating Music
II. The Classical Teaching Scope of Music
III. The Inner Mechanics
of Creating Music
IV. Didactics of Music
V. The Force-Fields in Music
VI. The Purpose of
Music Tradition
VII. Space and Time in Music
VIII. The Physics of Music
IX. The Systems of Order
in Music
X. Scientific Fundamentals of Music Aesthetics
XI. The Science of Music
XII. Music & Speech
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 Peter Huebner
 Founder of the
 Educational Music Laboratories
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Educational Music Laboratories
THE EDUCATIONAL BRANCH OF THE MICRO MUSIC LABORATORIES
Theoretical Fundamentals
.
 
PART   VII
  
 
THE PRACTICAL FUNDAMENTALS OF UNIVERSAL CREATIVITY
  
         
   

SPACE AND TIME IN MUSIC

  1. The Concept of Space in Music
  2. The Two Ways of Experiencing Space
  3. Space-Experience in the Microcosm of Music
  4. Space-Time Integration in Music
  5. Space-Time Fusion through the Integration of the Musical Spaces
  6. The Integrated Play of Time and Space
  7. The Potential of the Musician
  8. The Relationship of Rhythm and Tonality
  9. Field of Cognition – Enlivened Silence
  10. The Core of Practising the Art of Music
  11. Conventional and Modern Mechanisms of Musical Performance

    
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  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  EDUCATIONAL MUSIC LABORATORIES








“Education must become verifiable by objective science.
It becomes this by the help of
modern, scientific-orientated medicine.”
Peter Huebner